The grace of Laura Poitras' once-maligned, since-reworked lens on Julian Assange lies, I think, in its lack of an identifiable center: to watch this is to see the world actively shift underneath a film's feet, a creative team grasping for whatever they might value as north becomes south and gray zones start ...
Read more Nick Newman's Top 10 Films of 2017 Published January 04, 2018 at 11:52AM
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